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Mozart - Violin Concerto No.1 . Violin Concerto No.2

[50 subscribers] - Violin Concerto

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Bruch Violin Concerto Nº 1

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Mozart Violin Concerto No. 2 - Vengerov

Mozart Violin Concerto No. 2 - Vengerov

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HENRI DUTILLEUX VIOLIN CONCERTO RENAUD CAPUÇON & OCTOULOUSE T.SOUKHIEV dir LIVE 2012 NEW

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¡La banda de Mozart tiene su primera audición!

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Es la primera audición de la banda y los nervios están a flor de piel pero, ¿conseguirán gustar al jurado?

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Mozart, Beethoven, Chopin y Verdi forman una inseparable panda de chicos de hoy que comparten su pasión por la música. Y la hacen accesible usando una sinfonía de humor y aventuras… ¡En estéreo!

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Música Instrumental Para Descansar

Música instrumental para descansar ✔

Piano instrumental


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Hilary Hahn 1

Brahms - Violin Concerto in D Major,Op 77 : I Allegro ma non troppo

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Oh..! HILARY HAHN & FRANKFURT RSyO PAAVO JäRVI dir. BRAHMS CONCERTO Op.77 + encore LIVE april 2014

The technical demands on the soloist are formidable, with generous use of multiple stopping, broken chords, rapid scale passages, and rhythmic variation. The difficulty may to some extent be attributed to the composer's being chiefly a pianist.[citation needed]

Nevertheless, Brahms chose the violin-friendly key of D major for his concerto. Since the violin is tuned G'D'A'E, the open strings, resonating sympathetically, add brilliance to the sound. For the same reason, composers of many eras (e.g. Bach, Mozart, Beethoven, Schumann, Tchaikovsky, Sibelius, Prokofiev, Korngold and Khachaturian) have written violin concertos in either D major or D minor. (Wikipedia)

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SHOSTAKOVICH CHAMBER SYMPHONY (TRANSCRIPTION OF R.BARSHAI) RFrPhO HEINZ HOLLIGER dir. LIVE 1996

The first movement opens with the DSCH motif which was Shostakovich's musical signature. This slow, extremely sad theme can also be heard in his Cello Concerto No. 1, Symphony No. 10, Violin Concerto No. 1, Symphony No. 15, and Piano Sonata No. 2. The motif is used in every movement of this quartet, and is the basis of the faster theme of the third movement.
The final statement of the DSCH motif at the end of the fifth movement
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The work is filled with quotations of other pieces by Shostakovich: the first movement quotes his Symphony No. 1 and Symphony No. 5; the second movement uses a Jewish theme first used by Shostakovich in his Piano Trio No. 2; the third movement quotes the Cello Concerto No. 1; and the fourth movement quotes the 19th century revolutionary song "Tormented by Grievous Bondage" and the aria Seryozha, my love from Shostakovich's opera, Lady Macbeth of the Mtsensk District. The fifth contains a play upon a motive also from Lady Macbeth.
It has been transcribed by Rudolf Barshai for string orchestra, in which version it is known as Chamber Symphony in C minor (Op. 110a). (Wikipedia)

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