Videos relacionados con coherence 2

Coherence

Coherence - Trailer

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Tráiler de Coherence

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Coherence - Trailer en español

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Crítica de la película 'Coherence'

El crítico de cine de Libertad Digital, Andrés Arconada, habla de la película 'Coherence'. "Va a despertar pasiones a favor y en contra".

Ver video "Crítica de la película 'Coherence'"

'Coherence' - Tráiler español (VOSE - HD)

http://www.elseptimoarte.net/peliculas/coherence-8501.html

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Coherence - Tráiler Español V.O.S.E HD [1080p]

Estreno en cines el 24 de Octubre de 2014. ¿Quieres ver más tráilers? Entra en www.baldovi.net

(El copyright del tráiler pertenece a los respectivos autores,
productoras y distribuidoras, y ha sido publicado sin ánimo de lucro.)

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'Coherence', tráiler de la película de ciencia ficción

Ver video "'Coherence', tráiler de la película de ciencia ficción"

'Shatter Belt', tráiler de la serie del director de 'Coherence'

Ver video "'Shatter Belt', tráiler de la serie del director de 'Coherence'"

Estrenos 24 de Octubre

Estrenos 24 de Octubre

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Arte Geek | BitMe | Temporada 1 | Capítulo 47: Especial de largometrajes y animes sobre mundos virtuales y realidades alternas + TOP 5: animes ambientados en realidades virtuales

#RescatemosArteGeek

Episodio transmitido originalmente el día miércoles 30 de octubre de 2019 a las 13:30 y 19:30 hrs.

Grabación obtenida de sus retransmisiones del día jueves 17 de febrero de 2022 a las 05:35 y 13:35 hrs respectivamente.

Ojalá sea de su agrado. No olviden apoyar el proyecto difundiendo en redes sociales el hashtag #QueremosArteGeekenBlimTV.

Mi intención JAMÁS será lucrar NI monetizar este material audiovisual, solamente hago el esfuerzo de grabar, editar y compartir con fans de este maravilloso programa y con el fin de que este metraje NO se PIERDA NI quede olvidado por el tiempo.

Muchas gracias por su apoyo. Todos los derechos reservados corresponden a Televisa Networks y los respectivos dueños de la crestomatía mostrada en dichos episodios.

Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

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Teixidors Tracing 200kg. of Merino Wool CASTELLANO by Pensandoenblanco

Una historia llena de autenticidad, narrada por Manu y Corine, una pareja de granjeros apasionados por su trabajo, que han conseguido mejorar sus ovejas merinas hasta obtener una lana de gran calidad, seguramente la más fina de Europa. Teixidors se esfuerza en lograr la trazabilidad de todas las materias con las que trabaja con el objetivo de añadir autenticidad y coherencia a sus tejidos.

www.pensandoenblanco.com

A story full of authenticity narrated by Manu and Corine, a couple of sheepfarmers, passionated about their work, who have improved their merino sheep to obtain a high quality wool, probably the finest in Europe. Teixidors strives to achieve the traceability of all the materials they work with the aim of providing authenticity and coherence in their weaves.

www.pensandoenblanco.com

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LICHFIELD - The Maze | 2024 | Full Album |

[Gender]: Doom Metal, Melodic Death Metal
[Country]: Germany; Frankfurt, Hesse
[Released]: April 12, 2024
[Label]: Independent

[TrackList]

01. Nocturnal. [00:00]
02. Of Silent Spaces. [04:27]
03. Hell Of My Own Design. [09:53]
04. With The Gravity Of A Thousand Suns. [14:25]
05. Requiem. [19:06]
06. Incinerate. [23:39]
07. Coherence. [29:33]
08. Reassembly. [35:31]
09. Wayside [Bonus Track]. [37:33]
10. Eventless Horizon [Bonus Track]. [41:58]
11. Dead Trees [Bonus Track]. [46:58]

[Total Playing Time]: 50:34

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[Link To Buy The CD or DIGITAL ALBUM]

◈Amazon: https://amzn.to/3xMPaHn
◈BandCamp: https://lichfieldmetal.bandcamp.com/album/the-maze-2
◈Apple Music: https://music.apple.com/us/album/the-maze/1737199054
◈Spotify: https://open.spotify.com/intl-es/album/2Pp0IRWYCvMJVq6xHoAg6g
◈Deezer: https://www.deezer.com/en/album/563114262
◈YouTube: https://www.youtube.com/@lichfieldmetal
◈YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_mwgHpkRFiyE91a4dCCZv802Jezzz2jkfU

--- --- --- --- ---

[Lichfield]
lichfieldofficial@gmail.com
https://www.lichfield.de/
https://www.facebook.com/lichfieldmetal
https://www.instagram.com/lichfieldofficial/
https://www.metal-archives.com/bands/Lichfield/

⛧ ⛧ ⛧ ⛧ ⛧ ⛧ ⛧ ⛧ ⛧ ⛧

[Invite me to a beer]
[Support the promotion]

https://paypal.me/MetalSanctvary

[Metal Sanctuary Promotion]
◈metalsanctvary@gmail.com
◈https://linktr.ee/metalsanctuary

*Uploaded with permission of Lichfield.

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#melodicdeathdoommetal #melodicdeathmetal #deathmetal #melodicdoommetal #doommetal #metal #metalpromotion #metalsanctuarypromotion #Lichfield #germanymetal

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TCHAIKOWSKY SUITE Nº3 Op.55 ORCHESTRE DE PARIS ANDREY BOREYKO dir.LIVE june 12 -, 2013

"I meant to write a symphony, but the title is of no importance", Tchaikovsky wrote Sergei Taneyev. When he had gone to the Davidov family estate at Kamenka in the Ukraine, he had contemplated ideas for a piano concerto and a symphony. Neither plan really materialized the way the composer intended. He quickly recognized his ideas for the symphony were better suited for an orchestral suite like the two he had previously written. The problem lay with the opening movement. Titled Contrastes, it was to be a fantasia of contrasting musical sounds and patterns, not unlike the Jeu de sons movement that opened the Second Orchestral Suite. The more he worked with the music, the more recalcitrant the music became and the more he hated it. Contrastes finally found its way into the Concert Fantasia.
Tchaikovsky's original layout for the Third Suite was similar to that of his Second—a fairly large opening movement as in his first two orchestral suites, then three smaller ones and a theme–and–variations finale. The developments that Contrastes underwent, while good for the Concert Fantasia, left the suite unbalanced, with three small-scale movements followed by a theme-and-variations movement as large as all three previous movements placed together. Even without Contrastes, the suite remains a long work.
Wiley writes that Tchaikovsky composed the scherzo first. The theme-and-variation finale came last, beginning with the concluding polonaise. This, he says, might have helped the composer clarify his strategy in pacing the movement and guiding its overall momentum. He also links the theme of the finale to the other movements: "its opening chord is presented as a triad with added sixth, [which he used for the scherzo immediately preceding it] and, like the [opening] Elegie, the movement is resolutely melodic..
Wiley also says the quality of Prelest' (meaning "charming" or "pleasing") in the Third Suite "is too prominent for a symphony, while at the same time the suite's coherence advances well beyond the casual miscellency of the Second." This continuity, he suggests, "casts doubt on the freedom he so cherished when writing the First Suite six years earlier." The Third Suite, Wiley adds, is also much darker music in tone than in the two suites that preceded it.
In the fourth variation (pochissimo meno animato, B minor) of the fourth movement, a quotation of the Dies Irae theme is distinctly heard. (Wikipedia)

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