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  • Marry My Husband, Please Full Movie

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    Cásate con mi esposo (Serie de TV) (2024)
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  • PADMAVATI /Real Story of Beauty queen Padmini( रानी पद्मावती की सच्ची कहानी)With English Subtitle

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    (Notice- Khilji dynasty ruled the throne of delhi in twelth and thirteenth century(1290-1320), not Mugal empaire. By mistaken, it is written and spoken, Mugal Empaire ruled the throne of Delhi in the twelth and thirteenth century. I apologize for my mistake,)\r
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    Rani Padmini (or Padmavati) is a legendary queen mentioned in Padmavat, an epic poem written by Malik Muhammad Jayasi in 1540 CE.According to the poem, she was the wife of King Rawal Ratan Singh of Chittor;] and the daughter of the contemporary Sinhala king.\r
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    Rani Padmini was known mostly for her divine beauty; and Jauhar (self-immolation) in 1303, the year Alauddin Khilji attacked Chittor.\r
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    Padmini or Padmavati spent her life in Sinhala under the care of her father Gandharvsena and mother Champavati. Padmini had a talking parrot named Hiramani. Her father arranged a swayamvara to wed his beautiful daughter to an able man and invited all the Hindu kings and Rajputs (request to marry her by showing their eligibility). King Rawal Ratan Singh of Chittor hearing of Padminis attributes went to the swayamvara regardless of having multiple wives. There he won her hand by defeating another eligible king, Malkhan Singh. He returned to Chittor with his beautiful queen Padmini.\r
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    [Queen Nagamati asks her new parrot: say beloved parrot, Is anyone in the world as beautiful as me?\r
    The parrot recalled the beauty of Padmavati. It laughed and looked at the queen.[9] An illustrated manuscript of Padmavat, c. 1750 CE.\r
    In the 12th and 13th centuries, the Sultanate of Delhi, set up by Muslim Turkic nomadic invaders, was growing in power.The Sultans made repeated attacks on Mewar.] It is famously said and believed that Alauddin Khilji attacked Chittorgarh to have Maharani Padmini all for himself. This story is based on the poem Padmavat by Malik Muhammmad Jayasi, written in Awadhi in 1540. However, some historians do not agree with this story and claim it to be a legend or a famous folklore.\r
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    In 1302-03 CE, Chittor was under the rule of Rajput King Rawal Ratan Singh, a brave and noble warrior, and also a patron of arts. He had many skilled and talented artists in his court, one of whom was a musician named Raghav Chetan. But what people did not know was that Raghav Chetan was also a pritioner of magic and spells. He used this hidden talent to defeat his rivals. Unfortunately, he was caught red-handed while pricing magic, which greatly displeased the king.] Raghav Chetan was thus banished from the kingdom after he was publicly humiliated when forced to sit on a donkey with black paint on his face and ride around the capital. This harsh punishment earned Ratan Singh an uncompromising enemy. Sulking after his humiliation, Raghav Chetan went to Delhi with the aim of trying to incite the Sultan of Delhi, Alauddin Khilji, with a reason to attack Chittor.\r
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    The Sultan on reaching Mewar was anxious to see the beautiful queen Padmini of whose beauty he had heard a lot. As a guest to the kingdom, he asked to meet with the queen. Padmini however, suspicious of Alauddins demand declined the request. King Ratan Singh then tried to talk his queen into agreeing for he knew of the strength and might of the Delhi Sultanate and the Khilji Dynasty. Padmini then put a condition that Alauddin should see only her reflection that too in the presence of her husband, herself accompanied by a hundred female servants.\r
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    When the sultan of Delhi saw her, he was so smittened by her beauty that he wanted Padmini for himself. He thus decided to attack Chittorgarh. He believed that if he killed the king he could have his queen.\r
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    The Rajputs fought valiantly in the battle, but lost. Alauddin Khilji, all triumphant when reached the fort was shocked. To his great dismay and disbelief all the royal women including Padmini had committed jauhar\r
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    The women who performed jauhar perished but their memory has been kept alive till date in the bards and songs which glorify their valor. To protect their self respect and honour, they jumped into the fire pyre. To these women death by jauhar was better than the security and luxury of inglorious captivity. Source from WIKIPEDIA\r
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